Against the Virtual Life

Here, here!

Without gainsaying the rich new possibilities that digital technology has made available, Helprin makes the case that this same technology inculcates a frenetic habit of mind, quick on the trigger yet slow to appreciate subtlety and dazzlingly blind to beauty. "The character of the machine is that of speed, power, compression, instantaneousness, immense capacity, indifference, and automaticity," he writes. The other side of this debased coin is that the machine does not understand tradition, appreciate stability, enjoy quality, but instead "[hungers] for denser floods of data" and fosters a mentality in which "images have gradually displaced words."

Ouch.

Helprin's case against the impact of digital technology on modern life has precursors in literary history. I think, for example, of Joseph Wood Krutch's 1929 book The Modern Temper. Krutch argued that because scientific thought had denied human nobility, tragedy had become obsolete. Krutch lamented that the form of tragedy was therefore lost to modern art.

I could read this.

The amazon review:

Helprin realized how drastically different this generation is from those before it. The Creative Commons movement and the copyright abolitionists, like the rest of their generation, were educated with a modern bias toward collaboration, which has led them to denigrate individual efforts and in turn fueled their sense of entitlement to the fruits of other people’s labors. More important, their selfish desire to “stick it” to the greedy corporate interests who control the production and distribution of intellectual property undermines not just the possibility of an independent literary culture but threatens the future of civilization itself.