Le Carre

I rather like this self description.

Let me tell you a few things about myself. Not much, but enough. In the old days it was convenient to bill me as a spy turned writer. I was nothing of the kind. I am a writer who, when I was very young, spent a few ineffectual but extremely formative years in British Intelligence.

I never knew my mother till I was 21. I act like a gent but I am wonderfully badly born. My father was a confidence trickster and a gaol bird. Read A Perfect Spy.

I hate the telephone. I can't type. I ply my trade by hand. I live on a Cornish cliff and hate cities. Three days and nights in a city are about my maximum. I don't see many people. I write and walk and swim and drink.

Apart from spying, I have in my time sold bathtowels, got divorced, washed elephants, run away from school, decimated a flock of Welsh sheep with a twenty-five pound shell because I was too stupid to understand the gunnery officer's instructions, taught children in a special school.

I have four sons and twelve grandchildren. It is forty years since I hung up my cloak and dagger. I wrote my first three books while I was a spook; I wrote the next eighteen after I was at large.

A good writer is an expert on nothing except himself. And on that subject, if he is wise, he holds his tongue. Some of you may wonder why I am reluctant to submit to interviews on television and radio and in the press. The answer is that nothing that I write is authentic. It is the stuff of dreams, not reality. Yet I am treated by the media as though I wrote espionage handbooks.

And to a point I am flattered that my fabulations are taken so seriously. Yet I also despise myself in the fake role of guru, since it bears no relation to who I am or what I do. Artists, in my experience, have very little centre. They fake. They are not the real thing. They are spies. I am no exception.