Paul Schrader's The Canyons in the media, yet again. He makes an interesting point:
What we came to realize is that people go to Sundance to get a profile, and we already had a profile. What we want to do is capitalize on that, and not blow it by showing the film and then not be able to take advantage.
Maybe this will be the first movie where the movie doesn't matter at all. It'll just be the hype, the stories on set, the crazy people getting mad and offended and upset by each other, the media, the film festivals, twitter, big Hollywood, the porn community, and any and all of the above. I suppose some people will find this brave new world a good thing. I don't.
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